On The Record Store Steps
There was a time when record release dates were posted up on a wall near the check-out in music stores, and you would read about them in magazines, papers, or hear about them on the radio. I religiously wrote down the release dates for the bands I loved, and marked them off in my calendar, waiting impatiently to make my way down to the FNAC, or HMV or Tower, or that little record shop in a side street in Peterborough, depending on where I lived at the time. I still remember counting down the days until I could run to the FNAC in Grenoble to buy Hole’s Live Through This. I was on holiday near Nice when Nirvana’s MTV Unplugged was released and made my hosts drive us to the nearest record store so that my sister and I could buy our own copies (and no, they didn’t understand why we needed our own copies because we were 16 and 14 and lived in the same house - it still seems normal to me, I wasn’t sharing MY Nirvana with anyone). I practically held my breath for months waiting to hold a copy of Nick Cave and the Bad Seeds And No More Shall We Part in my hands (and still listen to it with the same feeling of wonder 18 years later). There was always the anticipation, and then the bliss of listening to an album in full, with no distractions. I try to recreate those feelings, but it doesn’t happen as often anymore… Maybe because of age, but more likely because everything is so readily available nowadays. I have so many memories with music, so many memories where an album is playing and I have a CD booklet in my hands, reading the lyrics and looking for more information on faces, pictures, between the lines. And these memories are so often tied to a record store: physical edifices in many different places that so often housed my dreams and thoughts.
All through the early to mid 1990’s we would meet up on the steps of the FNAC in the middle of our city of Grenoble, France. It was our unspoken meeting spot, one by one we would arrive after school: smoking, chatting, quiet, upset, euphoric, full of teenage angst and need, shy and assertive in a way only teens are. All dressed in various shades of black and band T-shirt’s and Doc Martens and lace dresses, long hair, and pierced noses; all coming from different schools and places. We would look at each other and step inside, finger through the same CD racks, preview a few albums, look at the concert listings, and walk back out again, sometimes a purchase in hand, but most often too broke to buy anything, mental notes of a list of most needed albums to get with next month’s allowance. We would hang around the metal and indie sections, picking up the same albums week in week out, wondering whether they were worth spending money on. I’m still so glad I never bought the Candlebox album, and just settled on the single, but I remember picking it up so many times and wondering if it were worth my money or not. Then again, I really have no need for the Cannibal Corpse and Deicide albums I bought back then: some purchases were not made with longevity in mind. Others still lift me above the clouds and stabilize my heart, years later, like Siamese Dream or Disintegration or Tender Prey. I play them on my phone through a Bluetooth speaker or through large headphones and they still punch me in the stomach in the same exact way they did the first time I listened to them. Gone are the overused and stretched thin cassette tapes and battery-operated Walkman. I no longer have the stereo with the three disc rotator that played only Tom Waits, Tim Buckley, and Bob Dylan for all of the months I spent writing my thesis. But we do still have a record player, and I appreciate how easy it is to just plug headphones into my phone and stream the years of music in my library. That said, there is (was?) nothing like a record store where no one bat an eyelid if you spent hours and hours browsing through the aisles.
A few (many?) years later I worked in a small office in Putney in London, and often spent my lunch hour walking around the smallish HMV on Putney High Street, now closed (that word is the recurring theme in this essay). I jumped on Gwen Stefani’s first album when it was released there, and tried to force myself to love it, even though I hated it and didn’t understand what happened to her and her music (I still don’t). I fell in love with My Chemical Romance thanks to that store, as well as the NYC bands that would later become a huge and real part of my life while I stomped around the Lower East Side night after night. When I bought The Bravery’s album in 2005 I would never have thought that not long afterwards I would be watching Amy Winehouse smack one of them in the face outside of Darkroom late one night (early one morning). That girl’s punch was as strong as her voice, and that guy deserved the bloody nose she gave him. And Interpol... It was thanks to Interpol (and my friend Lynn who randomly read something in an interview in a magazine) that I met my best friends, people who I still talk to all the time, even though our streets have changed and our bars have become something different. Pianers is the only one still there, but all of our late night footsteps and giggles and tears still echo through the basements and the bars on Ludlow and Orchard. From the little HMV on Putney High St Interpol’s sound quietly followed me to NYC that year, and a little later I bumped into it again in Tower Records on Broadway.
Antics, their second album, was released in 2004, but I had only actually listened to Turn On The Bright Lights before I moved to NYC. I’ve moved around a lot, most of the time alone, and my way of finding myself in a new place is to look for my “points de repère”*: music stores, statues, and book stores, and then walk an invisible thread through all of them. I made Manhattan mine by walking up Broadway through Union Square, through Bryant Park, skipping over to Fifth Ave, and going straight through to Central Park. Most of the time I had no idea where I would go, but I knew what I would find: home in music and books and the photos that I took along the way.
I would walk into Tower Records on Broadway and head for the back, checking through the new releases first, and then have a listen to some of the featured albums to pass the time. One August afternoon, a few months after moving there in 2005, sweating in the NYC humid heat, I decided to stick around enjoy the pleasant AC for a while, and listen to at least one track on all of the albums playing on the self-service players. I left with two albums that day, and hopped back on the 6 at Union Square, grabbed a sandwich at Subway on 116th St, and rushed home to my tiny apartment on First Avenue to listen to the music. The albums were Interpol’s Antics and 30 Seconds To Mars’ A Beautiful Lie. I remember feeling my heart open and soar, lying on that bed that wasn’t even mine in my slightly furnished apartment in the city that is my home of homes. I shed a tear when that Tower Records store, as well as all of the others, closed the following year - there weren’t any other music stores around that held the same feeling, atmosphere, and real love of music for me. There was still the Virgin Megastore on Union Square, which remained until 2009 I think, but it never felt the same too me. Maybe that one was just too big? I used to buy DVDs and CDs there, but it wasn’t a place I wanted to hang out, not like Tower, or Dimple Records in Sacramento.
Dimple Records... The one record store that always reminded me of Empire Records, the same type of staff, the same look, the same feel I imagined when I watched the movie. In June 2000 I set foot in the US for the first time in my life, joining my mother on her pre moving to Sacramento house searching trip. During those 5 days in 100 plus degree heat I fell in love with a grumpy cockatoo who for some reason took a liking to me, watched my then husband Trent Reznor perform from a few feet away, hugged a few palm trees, and visited several Dimple Record stores. (Funnily enough I’ve seen NIN perform twice in my life, and both times happen to have been in Sacramento. After all these years of coming here to see family, and now living here, it still doesn’t feel like home in the way NYC does, but it has given me Tower, Dimple, many a Cure single, and NIN live). I have a whole collection of Cure CD singles, often imports, which I found at Dimple; PJ Harvey, NIN and Nick Cave singles, as well as random second hand box sets I wouldn’t have found elsewhere. As soon as you would walk in to a Dimple the scent of incense would hit you in the face and bring me personally straight back to 1994.
When I heard Dimple was closing down this year, I popped over there one hot afternoon with my family, wondering if I would find anything, wondering if it would be my last time in a real record store. It was full of people and my children had no intention of letting me actually browse the racks of CDs, so we left, promising ourselves we would be back. I haven’t been back, and it’s too late now. My memories will always be here, and I will miss the smell, and the joy of finding something you couldn’t have found elsewhere, but I regret not making that last visit. My children already love music, create their own playlists, and ask about specific songs and bands, and it does make me sad that they will never find refuge in music stores like I did. But at least they still have the music. We all still have the music, and that is something that will stay with us forever.
Of course there have been other record stores in my journeys: the one in the mall in Nahariya, Israel, where I spent the little money I had on a Tori Amos double CD and forced all of the other kibbutz volunteers to listen to it. There was Easy Street Records in Seattle with some dear friends, where I bought a second hand Nirvana box set and a hoodie which now belongs to my other half. A few days before that I had been singing songs in Viretta Park next to Kurt Cobain’s house, spending the 15 year anniversary of his death with people who had loved him as much as I did. There was Other Music in NYC where I bought an album or two, and another place in Seattle where I found more PJ Harvey while thinking of Layne Staley. Layne and Kurt were never far from my thoughts during that trip. They aren’t far from my mind a lot of the time. Ten years later I still imagine Seattle to be my music haven, record stores holding strong, despite their disappearance elsewhere. Maybe it’s time for another visit, another song under the bridge, another afternoon on the bench where I wrote my name?
And then there was OCD, how could I forget OCD? I was rifling through a box of odds and ends the other day, looking for photos for our Día de Muertos ofrenda, and instead I found about three OCD cartes de fidélité (loyalty cards), all dated around the years 1999 and 2000, all with three or four stamps in them, each stamp indicating a purchase. I sold some CDs to them when I was in dire need of cigarette and wine money too, but I definitely spent more than I received in terms of cash in that store… I think my friend Jerome worked there at some point, and I got my tongue pierced in the shop next door. I think it was next door? 20 odd years later and the streets in my memories are a bit disheveled, one resembles the other a little bit too much. I know I could still walk them blindfolded after all these years, but when I look at a map it confuses me. It’s been time to go back home for many years, I know that. Next year in Grenoble, London, New York, Nahariya maybe? Let’s trace a line between record stores and cities and visit one by one in our minds, just as I have done with these words.
I’ve been writing this essay all summer, adding little bits and pieces here and there as they pop into my mind, memories and music bound together in my head, and all I can now think about is 1994. 1994 wasn’t the year I discovered my love for record stores, nor was it the year I first fell in love with music (I think I was born in love with music), but it was a pivotal year, for me, and so many songs are rushing through my head. I think it’s time to bind this one up with a song and start a new memory story on a clean page… I will always miss the smell of dust, of discovery that record stores often welcomed me with, but thankfully the music will always be with me in my heart and my ears and my hands.
*(personal) landmarks